Richard Kent

I could feel this production right before I watch it – from the entrance of Fort Canning Green, we were invited to enter the picnic spaces through “The Capitol” stage and have a sense of how it feels to navigate through the multi-dimensional set like the actors would. It was at this moment that I admired how the team’s Production Designer, Richard Kent, managed to utilise the stage not just to add more layers to the storytelling, but to make the play’s audiences feel a tad more special, as if telling us that we are not mere spectators of the…