Julius Caesar

I could feel this production right before I watch it – from the entrance of Fort Canning Green, we were invited to enter the picnic spaces through “The Capitol” stage and have a sense of how it feels to navigate through the multi-dimensional set like the actors would. It was at this moment that I admired how the team’s Production Designer, Richard Kent, managed to utilise the stage not just to add more layers to the storytelling, but to make the play’s audiences feel a tad more special, as if telling us that we are not mere spectators of the…

2017 was a year Shakespeare aficionados could never forget: it was the only year Shakespeare in the Park could not be hosted due to the lack of funding. Instead, the Singapore Repertory Theatre (SRT) sated the nation with its critically-acclaimed banner production Forbidden City: Portrait of an Empress.  First held in 1997 with Hamlet, Shakespeare in the Park has been a recurring production theatre-goers look forward to. Since then, the production has staged notable Shakespeare works such as Much Ado About Nothing (2009), Romeo and Juliet (2016), The Tempest (2015), and The Merchant of Venice (2014). Explaining that the arts…